In Onishi I had the possibility to show the garments I made not only through an exhibition. Being blessed with such wonderful friends, who also can pose as such elegant models, I was able to present my garments in their best light. On the long shot this is the first step to develop a performance on stage, which will be shown in Japan in 2021.
The experience in Daegu was shared with some Korean artists who also happened to share a residency space at that very same moment. And then I was lucky enough to team up with Adam a very gifted visual artist from Ireland. Under all the circumstances which some times made it not always easy for me as a foreign woman in Korea, Adam was my rock I always could hold on. The portrait sessions had some kind of special twist as I happened to create also transcultural garments which referred to Japanese and Korean history and methods of expression. This cultural crossover was quite delicate and not easy to handle as some tensions seem to be still unsolved.
Solothurn, Switzerland was my first long lasting residency in Europe and believe it or not my first actual stay in this country despite it is neighbouring my homeland. In generally we speak the same language but in detail we differ a lot. Due to my own dialect I was soon able to understand most of the conversations, which was a main part to get closer to some locals and befriend them. To work with strangers who also happen to be not professionals models needs a lot of trust and confidence on both sides of the lens. In Switzerland I could built up this trust and create even some nude shots, which are not on display in the internet. The analogue photo portraits were not part of the exhibition which by itself was quite complex and diverse, displaying a broad sequence of my work at the time.