{"id":6298,"date":"2025-03-29T15:55:33","date_gmt":"2025-03-29T13:55:33","guid":{"rendered":"http:\/\/www.anita-gratzer.net\/ph\/?p=6298"},"modified":"2025-03-30T17:40:54","modified_gmt":"2025-03-30T15:40:54","slug":"01-traditional-clothes","status":"publish","type":"post","link":"http:\/\/www.anita-gratzer.net\/ph\/01-traditional-clothes\/","title":{"rendered":"01 Traditional Clothes"},"content":{"rendered":"\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5%\">\n<p class=\"has-text-align-left has-large-font-size\"><a href=\"http:\/\/www.anita-gratzer.net\/ph\/16-post-war\/\"><strong>&lt;<\/strong><\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:90%\">\n<figure class=\"wp-block-image size-full\"><a href=\"http:\/\/www.anita-gratzer.net\/ph\/nakanojo-2025\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"998\" data-attachment-id=\"6300\" data-permalink=\"http:\/\/www.anita-gratzer.net\/ph\/01-traditional-clothes\/p1\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?fit=1000%2C998\" data-orig-size=\"1000,998\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"p1\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?fit=300%2C300\" data-large-file=\"https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?fit=1000%2C998\" src=\"https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?resize=1000%2C998\" alt=\"\" class=\"wp-image-6300\" srcset=\"https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?w=1000 1000w, https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?resize=300%2C300 300w, https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?resize=200%2C200 200w, https:\/\/i0.wp.com\/www.anita-gratzer.net\/ph\/wp-content\/uploads\/2025\/03\/p1.jpg?resize=768%2C766 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:5%\">\n<p class=\"has-text-align-right has-large-font-size\"><a href=\"http:\/\/www.anita-gratzer.net\/ph\/02-japanese-kimono-for-export\/\"><strong>><\/strong><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Nara period (710\u2013794)<\/strong><\/p>\n\n\n\n<p>Clothing in the Nara-period was influenced by Tang-dynasty China. Women adopted overlapping tarikubi (\u5782\u9818, &#8220;drape-necked&#8221;) robes with very long sleeves, and a wrapped skirt (mo&nbsp;\u88f3) that was draped over the waist. Men continued wearing round agekubi (\u4e0a\u9818, &#8220;high-necked&#8221;) mandarin robes, which were associated with scholasticism.&nbsp;<\/p>\n\n\n\n<p><strong>Heian Period (794 \u2013 1185)&nbsp;<\/strong><\/p>\n\n\n\n<p>During the Heian-period a new making technique, the \u201cstraight-line cut method was developed, so the&nbsp;<em>kimono<\/em>&nbsp;could adjust to any body-shape. The nobility began to wear 5 up to 40 layers that covered their hands and feet .The clothes served as protection from the evil spirits and as manifestation of a social rank. Commoners wore&nbsp;<em>kosode<\/em>&nbsp;\u5c0f\u8896<strong>&nbsp;<\/strong>made of linen with cylindrical sleeve&nbsp;for manual labor. It&nbsp;was also used&nbsp;as undergarment by the nobles.<\/p>\n\n\n\n<p><strong>Kamakura Period (1185\u20131333)&nbsp;<\/strong><\/p>\n\n\n\n<p>With the shift in power from the aristocracy to the samurai, a new style of dress should allow freedom of movement but also remain elegant. The&nbsp;<em>kosode&nbsp;<\/em>developed to become the outer robe of the elite and&nbsp;<em>hakama&nbsp;<\/em>began to be worn by upper-class women and the court. Lower-class women wore half-skirts to be sure their&nbsp;<em>kosode&nbsp;<\/em>remained in place.<\/p>\n\n\n\n<p><strong>Muromachi Period (1336\u2013 1573)&nbsp;<\/strong><\/p>\n\n\n\n<p>The biggest change in this period was the abandonment of&nbsp;<em>hakama&nbsp;<\/em>pants for women. To keep their&nbsp;<em>kosode<\/em>&nbsp;tight, they invented a narrow, decorated&nbsp;<em>obi<\/em>. This shift allowed the&nbsp;<em>kosode&nbsp;<\/em>to become visible from top to bottom, perfect for the display of decorative patterning. Until Edo period, both men\u2019s and women\u2019s garments were decorated with bright patterns, and the differences between the sexes in that respect were not so clear.&nbsp;<\/p>\n\n\n\n<p><strong>The Azuchi-Momoyama Period (1568\u20131603)&nbsp;<\/strong><\/p>\n\n\n\n<p>By this time the&nbsp;<em>kosode<\/em>&nbsp;became common throughout society, and was not merely the exclusive garment of the nobility. With smaller sleeves, more practicable for physical movement, the shape had evolved into a style similar to the modern kimono.&nbsp;The word \u2018kimono\u2019 had become synonymous with&nbsp;<em>kosode,&nbsp;<\/em>as it was also used in a report by the Portuguese missionary Joao Rodrigues, who came to Japan in around 1577.&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-block-group-is-layout-constrained\">\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p><strong>01 <\/strong>Clothing modelled on the Nara Period (710 to 794). From the&nbsp;Bunka Gakuen Costume Museum, 2021<\/p>\n\n\n\n<p><strong>02<\/strong> Clothing modelled on the Muromachi Period (1336 to 1573). From the&nbsp;Bunka Gakuen Costume Museum, 2021<\/p>\n\n\n\n<p><strong>03 Artist:<\/strong>&nbsp;Torii Kiyonaga&nbsp;(1752-1815) <strong>Artwork:<\/strong>&nbsp;Ono no Komachi, the Heian poetess, depicted in formal j\u016bni-hitoe, or twelve-layer court costume.<\/p>\n\n\n\n<p><strong>04 Artist:<\/strong> Utagawa Kunisada (1786-1865) <strong>Artwork:<\/strong> 1850 \u2013 Portrait of&nbsp;Sugawara no Michizane, who was a renowned poet and calligrapher in the Heian Court.&nbsp;<\/p>\n\n\n\n<p><strong>05<\/strong> Clothing for a court lady of the Kamakura Period (1185-1333) , Japan. Recreation accomplished in Kyoto during the 1930s. From the book \u201cThe History of Women\u2019s Costume in Japan.\u201d, 2003<\/p>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&lt; > Nara period (710\u2013794) Clothing in the Nara-period was influenced by Tang-dynasty China. Women adopted overlapping tarikubi (\u5782\u9818, &#8220;drape-necked&#8221;) robes with very long sleeves, and a wrapped skirt (mo&nbsp;\u88f3) that was draped over the waist. Men continued wearing round agekubi (\u4e0a\u9818, &#8220;high-necked&#8221;) mandarin robes, which were associated with scholasticism.&nbsp; Heian Period (794 \u2013 1185)&nbsp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_themeisle_gutenberg_block_has_review":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[80],"tags":[],"class_list":["post-6298","post","type-post","status-publish","format-standard","hentry","category-nakanojo-25"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p53dR0-1DA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/posts\/6298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/comments?post=6298"}],"version-history":[{"count":0,"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/posts\/6298\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/media?parent=6298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/categories?post=6298"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.anita-gratzer.net\/ph\/wp-json\/wp\/v2\/tags?post=6298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}