Working on different objects in Brig to get ready for the exhibition in July.
I arrived in Switzerland one week before the lockdown facing not only the pandemic but also a three month isolation in my apartment and studio. Fortunately the residence was located in the old castle of Kaspar Stockalper built in the 17th century. On the bright side I could start working for my solo exhibition ‘Prosthetic Memories’ without any distraction. My focus was on wearable paper sculptures, taxidermy objects and some Covid related drawings. The residency lasted until August with the main exhibition in July when public events were possible again.
Born in isolation, the project “Prosthetic Memories” was originally inspired by Max Frisch’s story: Man appears in the Holocene. “Disasters are known only by man, nature knows no disasters” writes the author. His protagonist, alone in a valley in Ticino, he deals with the loss of memory in the narrative.
The silk store in Onishi was transformed into a cultural gathering by Shiro Oni Studio. Working on my paper garments at the place also inspired me to start a silkworm farm.
Showing the output of three month of work, five different garments were on display at the Kinuya. A cultural hub in my second hometown Onishi and a former silk trader shop.