In recent years, Anita Gratzer, who draws her origins from traditional photography, has concentrated on creating wearable sculptures made from antique handmade paper. Influenced by her second home in Japan, she is interested in the intersection between garments and architecture and how cultural codes construct our identities. Reusing centuries-old material, she draws upon both the heritage of Christian iconography and that of Asian mythology. In this way, she explores inherent cultural traditions, creating cross-cultural references through her foldable constructions.
近年、アニタ・グラッツァーは、伝統的な写真を原点としながら、アンティークの手漉き紙を使ったウェアラブルな彫刻の制作に力を注いでいる。 第二の故郷である日本に影響を受けた彼女は、衣服と建築の交差点、そして文化的コードがどのように私たちのアイデンティティを構築するかに関心を寄せている。
